Emigrated Sculptural Heritage. On Some Sculptures in the ‘Sagrario’ of Málaga and the Work of Juan Sáez de Torrecilla
DOI:
https://doi.org/10.24197/bsaaa.87.2021.115-154Keywords:
Málaga, Becerril de Campos, Castilian sculpture, Counter-Reformation, Juan Sáez de Torrecilla, Guglielmo della PortaAbstract
The parish of Santa María del Sagrario of Málaga reopened for cult in 1945, after its complete restoration. Inside it, several altarpieces and sculptures from Becerril de Campos (Palencia) were installed. This article studies those displaced works by identifying their origin and analysing the context of their production, paying special attention to the images and typologies related to Juan Sáez de Torrecilla. Through these works, it is possible to obtain a better understanding of the hybrid and interesting Palencia sculptural landscape between the 16th and 17th centuries.
Downloads
Downloads
Published
Issue
Section
License
The articles published at BSAA arte will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).
The journal allows the authors to retain publishing rights. Authors may reprint their articles in other media without having to request authorization, provided they indicate that the article was originally published in BSAA arte.