Cry of the land: Antonio Gamoneda’s «Blues castellano»
DOI:
https://doi.org/10.24197/cel.10.2019.356-382Keywords:
Gamoneda, Blues castellano, ethics, rhythmicsAbstract
The article will investigate the ethics and aesthetic thought conceived by Antonio Gamoneda (1931) in the second section of the collection of poems Blues Castellano (I ed. 1982). The Gamonedian ideological approach draws away from the social poetry practiced by his contemporaries authors thanks to a work on the musical aspect of the poetic language that passes through the assimilation of the rhythmic and rhetorical resources of African-American blues. It is an important moment in the poet's career since this reflection shapes the following aesthetic evolution of his poetry.
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