Écfrasis e intermedialidad en la poesía española contemporánea (Pintura, cine y publicidad), de Luis Bagué Quílez
DOI:
https://doi.org/10.24197/fepr6y62Keywords:
Ekphrasis, intermediality, Spanish contemporary poetry, painting, cinema, advertising, posmodernismAbstract
Review of the book Écfrasis e intermedialidad en la poesía española contemporánea (Pintura, cine y publicidad) (Madrid: Visor, 2024), by Luis Bagué Quílez.
The review examines Luis Bagué Quílez's book Écfrasis e intermedialidad en la poesía española contemporánea, highlighting its contribution to the study of relationships between poetry and image in the 20th and 21st centuries. The volume is structured into three sections (painting, cinema and advertising) and offers a renewed approach to ekphrasis, no longer understood as mere description but as a dynamic and intermedial practice. Through a wide corpus of contemporary authors, the book explores the transformation of lyrical discourse in dialogue with diverse artistic and cultural forms, ranging from museums and visual arts to cinematic imagery and advertising rhetoric. The review emphasizes the methodological coherence, analytical breadth and the work's ability to shed light on an expanding critical field, establishing Bagué Quílez as a key figure in interart studies.
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