“Acaso lo mejor sea nacer lejos de todas partes…”: Semiological Analysis of the Tragedy «En el otro cuarto» (1940), by Samuel Ros
DOI:
https://doi.org/10.24197/cel.10.2019.500-537Keywords:
Samuel Ros, Twentieth-Century Spanish Theatre, Spanish Post-war Theatre, En el otro cuarto, Literature and FascismAbstract
The short tragedy named En el otro cuatro, written by Samuel Ros, was performed for the first time in 1940. Today, it and its author seem forgotten by the Literature’s History. This work wants to show the great originality of this tragedy, written into a theatrical wilderness in which the most relevant authors were in exile, imprisoned or buried. The analysis of this symbolist tragedy, with a semiological methodology, is focused on three elements: characters, time and space. Finally, the conclusions show how Samuel Ros is legitimized to claim his place in our Literature’s History.
Downloads
Downloads
Published
Issue
Section
License
This journal enables free and immediate access to its content to foster global knowledge.
The articles published at Castilla. Estudios de Literatura will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).
The authors continue as owners of their works, and can republish their articles in another medium without having to request authorization, as long as they indicate that the work was originally published in Castilla. Estudios de Literatura.
