From Horace to Góngora: 'imitatio multiplex' in a song written in 1582

imitatio multiplex in a song written in 1582

Authors

  • Jesús Ponce Cárdenas , Profesor Titular de Universidad

DOI:

https://doi.org/10.24197/mrfc.0.2019.163-184

Keywords:

Horace, Góngora, carmen 1,23, hybridism, imitatio multiplex

Abstract

This paper analyzes the influence of Horace’s carmen 1,23 on a song written by Góngora in 1582 (Corcilla temerosa, or Little Frightened Doe). The study highlights links of Góngora’s poem with other Italian imitations of the Latin ode (Ariosto, Giovanni della Casa). On the other hand, the paper also draws attention to the relevance of the Horatian translations in the Salamanca academic circles of the 16th (fray Luis de León).

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Published

2019-11-18

Issue

No. 32 (2019)

Section

Artículos

License

The articles published at Minerva. Revista de Filología Clásica will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).

The journal allows the authors to retain publishing rights. Authors may reprint their articles in other media without having to request authorization, provided they indicate that the article was originally published in Minerva. Revista de Filología Clásica.

How to Cite

From Horace to Góngora: ’imitatio multiplex’ in a song written in 1582: imitatio multiplex in a song written in 1582. (2019). Minerva, 32, 163-184. https://doi.org/10.24197/mrfc.0.2019.163-184