Femme nue, femme noire of Calixte Beyala front "Femme noire" of Leopold Sedar Senghor
Abstract
The aim of this study is to demostrate through certain semiotical-discursive elements like intertextuality, dialogism, polifony, transtextuality, paratextuality, etc…, that every text is an intertext. That is the case of Calixte Beyala’s novel Femme nue, femme noire which has been inspirated by the Leopold Sédar Senghor’s poem Femme noire. Although both authors don’t belong to the same generation, and have different perspectives on the matter, they demostrate the same attachment to Africa in general and to the african woman in particular. Both defend, consciently or not the well-known ideological and literary african mouvement named Negritud.
Downloads
Downloads
Published
Issue
Section
License
The articles published at Castilla. Estudios de Literatura will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).
The authors continue as owners of their works, and can republish their articles in another medium without having to request authorization, as long as they indicate that the work was originally published in Castilla. Estudios de Literatura.
