Satire, Laught and Demystification in Romancero nuevo (new Balladry): Towards Reading of "Así Riselo cantaba" of Pedro Liñán de Riaza
Keywords:
satire, Romancero nuevo (new Balladry), Pedro Liñán de Riaza, popular literature, laughtAbstract
This paper is based on a theorical-critical emptiness constatation, al least apparent, in the literary reflection of XVIth and XVIIth that is necessary to analyze for the best knowledge of our study’s object: the satire in the new Balladry. The following study consists of three phases: first, the theorical-critical delimitation of satire in the literary thought at XVIth and XVIIth centuries; secondly, the relation of satire expressive-referential model with the genre structural-strofic of new Balladry; finally, the study of satirical procedure in a representative baldad of Pedro Liñán de Riaza.
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