Yorick's Passion Drags Edmundo and Alicia. (Think about an Aspect of Manuel Tamayo y Baus's Un drama nuevo, with I pagliacci and 39 steps to the Bottom)

Authors

  • Borja Rodríguez Gutiérrez

Abstract

The culminating scene of Manuel Tamayo y Baus's Un drama nuevo has been interpreted as a merger of life and theatre, provided that three actors (Yorick, Alicia and Edmundo) get confused with three prominent figures (Count Octavio, Beatriz, Manfredo). The article examines of that way comes near up to this situation, the need that exists for it of which Yorick leaves his facet of comical actor and the reasons that Edmundo and Alicia has to help in scene the change of theatre to life that Yorick imposes. For these aspects he becomes the parallel one between Un drama nuevo, the opera I Pagliacci and the Alfred Hitchcok's movie 39 steps.

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Published

2010-03-30 — Updated on 2022-06-07

Versions

Issue

No. 1 (2010)

Section

ARTICLES

License

Copyright (c) 2012 Borja Rodríguez Gutiérrez

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How to Cite

Yorick’s Passion Drags Edmundo and Alicia. (Think about an Aspect of Manuel Tamayo y Baus’s Un drama nuevo, with I pagliacci and 39 steps to the Bottom). (2022). Castilla. Estudios De Literatura, 1, 180-191. https://revistas.uva.es/index.php/castilla/article/view/28 (Original work published 2010)