Symbolic Bestiary in the The Prince Pursued Comedy
Keywords:
bestiary, emblematic, Luis de Belmonte, Agustín Moreto, Antonio Martínez de MenesesAbstract
This article analyzes the degree of integration of animalistic motifs in the comedy El príncipe perseguido, written by Luis de Belmonte in collaboration with Agustín Moreto and Antonio Martinez de Meneses. We focus on detecting the symbolic and emblematic images, poetically reworked by the authors, and determining their sources, the allegorical meaning that they give to the scenes of the play, as well as their role in the plot.
Downloads
Downloads
Published
Issue
Section
License
This journal enables free and immediate access to its content to foster global knowledge.

The articles published at Castilla. Estudios de Literatura will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).
The authors continue as owners of their works, and can republish their articles in another medium without having to request authorization, as long as they indicate that the work was originally published in Castilla. Estudios de Literatura.

