Two faces on the same coin: the woman in the painting of the early 20th century
DOI:
https://doi.org/10.24197/ogigia.23.2018.97-115Keywords:
Feminist exhibitions, Carmen Burgos, Marcelina Poncela, spanish art, gender studiesAbstract
This paper discusses about the controversy that arose around the first feminist exhibition held at the room Amaré in Madrid at the beginning of the twentieth century, this which has been posible to track it through the press and in that which there are two visions about the artistic activity of the women and the perception that the critics had about the female painting.
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