El tratamiento visual de Juan José Millás
New Technologies
DOI:
https://doi.org/10.24197/sxxi.18.2020.23-38Keywords:
Audiovisual, Photography, Visual Analysis, Gaze, PerceptionAbstract
In an era of audiovisual prevalence, Juan José Millás (Valencia, 1946), who never remains indifferent to socio-cultural changes, has varied his perception and his gaze. In three of his works —Todo son preguntas, El ojo de la cerradura y Sombras sobre sombras— he has compiled texts that are ascribed to the genre of photography commentary. Millás analyzes press images, showing that he has successfully embraced in his literature visual analysis of reality as a new way of relating with the universe.
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