Federico, en carne viva: a schism in the speech’s José Moreno Arenas playwight
DOI:
https://doi.org/10.24197/sxxi.19.2021.61-80Abstract
This article investigates the most hidden creative mechanisms of the playwright José Moreno Arenas in relation to the conception ant elaboration of his latest work, Federico, en carne viva. This play represents a 180 degree turn in the style of this veteran author, an absolute transformation of his theatrical writing that requires rigorous observation and analysis. Semiotics and certain concepts that emerge from it are presented as the best tool for the task.
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