The recreation of a credible atmosphere in Waiting for the Flood (Esperando el diluvio) (2022) by Dolores Redondo
DOI:
https://doi.org/10.24197/tnn49j26Keywords:
Dolores Redondo, Forensic Criminology, Victimology, Religion, AtmosphereAbstract
Esperando el diluvio (2022) presents many similarities with the novels starring Inspector Amaia Salazar by Dolores Redondo, which could represent a loss in recreating a credible atmosphere (Montaner, 2022; Geherin, 2008; Lutwack 1984) of Bilbao in the nineteen eighties. This work analyzes how studies on forensic criminology (Harrison and Wilson, 2013; Harrison, 2010; Cuquerella, 2004; Garrido, 2000; Ressler and Shachtman, 1992), on victimology (Walklate, 2018; Green and Pemberton, 2018; Minot , 2017; Rudman and Mescher) and on religion (Aosved and Long, 2006; Alarcón, 2005, Jonte-Pace and Parsons, 2002), among others, fit the time represented.
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