The second bar
DOI:
https://doi.org/10.24197/sxxi.5.2007.46-54Keywords:
dreams, reality, circus, modern artAbstract
From the memory of a movie and the image of several children suspended in
air, this article begins to speak about all of the children that live in their dreams,
whose reality is represented in the circus. The circus, as the world where even the
most unforeseeable and strange is possible, resembles art, which also transits between
reality and dreams, this zone of the games of children and lovers. The emptiness of
the center of the carp (where totality is not dominant, rather details and wild
autonomy) permits the conversion of the circus into a metaphor of modern art, which
passes without a center, wandering without cause nor objective.
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