Forgetfulness, postures and impostures in the transition in the early works of Rafael Chirbes

Authors

  • Dolores Thion Soriano-Molla Université de Pau et des Pays de l’Adour , Université de Pau et des Pays de l’Adour

DOI:

https://doi.org/10.24197/sxxi.13.2015.1-13

Keywords:

Rafael Chirbes, woman, history, novel, oblivion, falsehood

Abstract

The first novels of Rafael Chirbes, En la lucha final (1991) y La buena letra (1992) have so far deserved little attention from critics. However, in those early texts, Chirbes offers a critical view of the Transition from the intra-histories of two completely different universes, one around the world of culture, another in a humble Valencian people. Its protagonists act as bulwarks to show that falsehood, imposture, forgetfulness, folds and lies became keys and ways of being in social change.

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Published

2015-12-09

Issue

No. 13 (2015): Siglo XXI: Literatura y cultura españolas

Section

ARTICLES

License

The articles published at XXI Century. Spanish Literature and Culture will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).

The journal allows the authors to retain publishing rights. Authors may reprint their articles in other media without having to request authorization, provided they indicate that the article was originally published in XXI Century. Spanish Literature and Culture.

How to Cite

Forgetfulness, postures and impostures in the transition in the early works of Rafael Chirbes. (2015). XXI Century. Spanish Literature and Culture, 13, 1-13. https://doi.org/10.24197/sxxi.13.2015.1-13