Details and Evidences in Juan Correa de Vivar: Opening of Hypotheses, Facts and Uncertainties

Authors

DOI:

https://doi.org/10.24197/bsaaa.83.2017.125-152

Keywords:

Renaissance painting, artists' libraries, Juan Correa de Vivar, Toledo, prints, conversos, heterodoxy

Abstract

The ownership and reading of some books from his own library and the use of certain prints by the 16th Century Spanish painter Juan Correa de Vivar in his paintings –as in the Annunciation at The Museo del Prado– could be a new source for dealing with the problem of his social and ideological contexts.

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Published

2017-10-06

Issue

No. 83 (2017)

Section

ARTICLES

License

The articles published at BSAA arte will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).

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How to Cite

Details and Evidences in Juan Correa de Vivar: Opening of Hypotheses, Facts and Uncertainties. (2017). BSAA Arte, 83, 125-152. https://doi.org/10.24197/bsaaa.83.2017.125-152