About Still Lifes in the Cinematographic Work of the Marquis of Villa Alcázar

Authors

DOI:

https://doi.org/10.24197/bsaaa.83.2017.291-310

Keywords:

documentary fim, Marquis of Villa Alcázar, still lifes, publicity, moral

Abstract

The presence of still lifes in the documentary work by the marquis of Villa Alcázar is more than significant if we consider their presence in almost his entire production. Having in mind this premise, this article aims to define how some of these still lifes worked taking into account two very specific typologies: the still life with a moralising value and others intended towards publicity.

Downloads

Download data is not yet available.

Downloads

Published

2017-10-13

Issue

No. 83 (2017)

Section

ARTICLES

License

The articles published at BSAA arte will have a Creative Commons Attribution 4.0 International License (CC BY 4.0).

The journal allows the authors to retain publishing rights. Authors may reprint their articles in other media without having to request authorization, provided they indicate that the article was originally published in BSAA arte.

How to Cite

About Still Lifes in the Cinematographic Work of the Marquis of Villa Alcázar. (2017). BSAA Arte, 83, 291-310. https://doi.org/10.24197/bsaaa.83.2017.291-310