Intertextuality and Intratextuality in Jerónimo López Mozo’s Combate de ciegos
Keywords:
Combate de ciegos, Lopez Mozo, postmodernism, intertextuality, intratextualityAbstract
Within López Mozo’s constant will to renovate the overused conventions of the theatrical canon, we have to highlight his use of intertextuality and intratextuality: popular techniques nowadays among the playwright of postmodernism. Combate de ciegos builds its narrative structure over a frame of interconnection, creating an aesthetic and intellectual exercise in which readers and spectators have to decipher and connect the elements which shape it. Through the use of a system of references, López Mozo fuses time and space, creating an effect of mise-en-abyme in which three realties overlap simultaneously.
Key words: Combate de ciegos, drama, Lopez Mozo, postmodernism, intertextuality, intratextuality.
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