“I would have to be mad to leave this bed.” A Female Heterotopia of Self-confinement in Sue Townsend’s The Woman Who Went to Bed for a Year
DOI:
https://doi.org/10.24197/ersjes.42.2021.217-237Keywords:
Sue Townsend, The Woman who Went to Bed for a Year, heterotopía, confinement, feminism and literatureAbstract
What happens when a woman, housewife and mother, decides to take to her room and stay in bed for a whole year? This scarcely plausible proposition opens the last published work by the late British author Sue Townsend. This paper aims to explain the main coordinates of the narrative by using Foucault’s concept of heterotopia; an effective, theoretical tool when applied to the analysis of a contained, physical space which is eventually turned into a site of contestation by means of the protagonist’s self-imposed confinement. This implies further questioning on the degree of agency she displays within her environment and, in addition, raises doubts about whether the novel responds to a feminist stance on the part of the author or to a literary depiction of her unavoidable withdrawal from the outside world due to her personal circumstances.
Downloads
References
Astor, Elaine, and Geraldine Harris. Feminist Futures? Theatre, Performance, Theory. Palgrave Macmillan, 2006.
Bachelard, Gaston. The Poetics of Space. Penguin, 2014.
Banham, Martin. The Cambridge Guide to Theatre. Cambridge UP, 2000.
Bassuk, Ellen S. “The Rest Cure: Repetition or Resolution of Victorian Women's Conflicts?” Poetics Today, vol. 6, nos. 1–2, 1985, pp. 245–57, doi:10.2307/1772132.
Bennett, Andy. Culture and Everyday Life. SAGE Publications, 2005.
Birch, Helen. Moving Targets: Women, Murder and Representation. U of California P, 1994.
Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal, vol. 40, 1988, pp. 519–31, doi:10.2307/3207893.
Caleb, Amanda. “Contested Spaces: The Heterotopias of the Victorian Sickroom.” Humanities, vol. 8, no. 2, 2019, doi:10.3390/h8020080.
Davies, Angela. Modern Motherhood: Women and Family in England, c. 1945–2000. Manchester UP, 2012.
Eilan, Naomi, and Johannes Roessler. Agency and Self-Awareness Issues in Phisolophy and Psychology. Oxford UP, 2003.
Elias, Juanita, and Shirin M. Rai. “Feminist Everyday Political Economy: Space, Time, and Violence.” Review of International Studies, vol. 45, no. 2, 2019, pp. 201–20, doi:10.1017/S0260210518000323.
Fludernik, Monika. Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy. Oxford UP, 2019.
Foucault Michael. “Of Other Spaces.” Diacritics, vol. 16, no. 1, 1986, pp. 22–27.
Friedan, Betty. The Feminine Mystique. Dell Publishing, 1963.
Gilbert, Sandra, and Susan Gubart. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale UP, 1979.
Hardy, Frances. “The Son Who Inspired Adrian Mole and Helps Me Live with Blindness.” The Daily Mail, 18 Apr. 2012, Mail Online, www.dailymail. co.uk/femail/article-2131744/Sue-Townsend-The-son-inspired-Adrian-Mole--helps-live-blindness.html/.
Heyne, Hilde. “Afterthoughts: Heterotopia Unfolded?” Heterotopia and the city: Public Space in a Postcivil Society, edited by Michel Dehaene and Lieven De Cauter, Routledge, 2008, pp. 311–24.
Hwang, Eunju. “Heterotopia as a Usable Concept in Literary Studies: A Study of Crane’s Maggie: A Girl of the Streets.” American Fiction Studies, vol. 25, no. 1, 2018, pp. 155–77.
Janz, Bruce B. Place, Space and Hermeneutics. Springer, 2017.
Johnson, Lesley, and Justine Lloyd. Sentenced to Everyday Life: Feminism and the Housewife. Berg, 2004.
Johnson, Peter. “The Geographies of Heterotopia.” Geography Compass, vol. 7, no. 11, 2013, pp. 790–803, doi:10.1111/gec3.12079.
King, Jeannette. The Victorian Woman Question in Contemporary Feminist Fiction. Palgrave Macmillan, 2005.
Knight, Kalvin T. “Placeless Places: Resolving the Paradox of Foucault’s Heterotopia.” Textual Practice, vol. 31, no. 1, 2017, pp. 141–58, doi:10.1080/0950236X.2016.1156151.
Kordela, Kiarina A., and Dimitris Vadulakis, editors. Freedom and Confinement in Modernity. Palgrave Macmillan, 2011.
Kruse, Sharon, and Sandra Spickard Prettyman. “Women, Leadership and Power. Revisiting the Wicked Witch of the West.” Gender and Education, vol. 20, no. 5, 2008, pp. 451–64, doi:10.1080/09540250701805797.
Kühl, Sara. “The Angel in the House and Fallen Women: Assigning Women their Places in Victorian Society.” Open Educational Resources, U of Oxford, 2016.
McDowell, Linda. Gender, Identity and Place: Understanding Feminist Geographies. U of Minnesota P, 1999.
Molony, Barbara, and Jennifer Nelson, editors. Activism and Second-Wave Feminism: Transnational Histories. Bloomsbury, 2017.
Palladino, Mariangela, and John Miller, editors. The Globalization of Space: Foucault and Heterotopia. Routledge, 2015.
Robinson, Marnia. Cupid’s Poisoned Arrow: From Habit to Harmony in Sexual Relationships. North Atlantic Books, 2009.
Rybczynski, Witold. “Intimacy and Privacy.” The Domestic Space Reader, edited by Chiara Briganti and Kathy Mezei, U of Toronto P, 2012, pp. 88–90.
Shir-Wise, Michelle. Time, Freedom and the Self: The Cultural Construction of Free Time. Palgrave Macmillan, 2019.
Shortt, Harriet. “Liminality, Space and the Importance of ‘Transitory Dwelling Places’ at Work.” Human Relations, vol. 68, no. 4, 2015, pp. 633–58, doi:10.1177/0018726714536938.
Showalter, Elaine. The Female Malady: Women, Madness and English Culture, (1830–1980). Penguin, 1985.
Soja, Edward W. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Blackwell, 1996.
Spanu, Smaranda. Heterotopia and Heritage Preservation: The Heterotopic Tool as a Means of Heritage Assessment. Springer, 2019.
Townsend, Sue. The Woman Who Went to Bed for a Year. Michael Joseph, 2012.
Villalba Lázaro, Laura. “Las curas de reposo y la opresión patriarcal en ‘The Yellow Wallpaper’ y ‘Mrs. Dalloway’.” Raudem: Revista de Estudios de las Mujeres, vol. 4, 2016, pp. 274–89, doi:10.25115/raudem.v4i0.1759.
Young, Iris M. “House and Home. Feminist Variation on a Theme.” The Domestic Space Reader, edited by Chiara Briganti and Kathy Mezei, U of Toronto P, 2012, pp. 190–94.
Downloads
Published
How to Cite
Issue
Section
License
Authors retain publishing rights and grant ES Review. Spanish Journal of English Studies right of first publication.
Simultaneously, all articles and reviews published in ES Review will be available under a Creative Commons Attribution 4.0 International License (CC BY 4.0), by which others are allowed to share and use their work with an acknowledgement of the work’s authorship and initial publication in this journal.
In addition, ES Review allows authors to arrange additional contracts for the non-exclusive publication of the journal’s published version of the work (e.g., in a book), with an acknowledgement of its initial publication in this journal. In such a case, authors are required to approach the editor(s)/publisher to request permission.