Of the Awefull Afterlife of Cats. From the Illustrated Book to the Stage

Authors

DOI:

https://doi.org/10.24197/ersjes.44.2023.133-153

Keywords:

Eliot, Cats, musical, adaptation, poetry, music hall

Abstract

Old Possum’s Book of Practical Cats (1939) de T. S. Eliot adquirió mayor popularidad tras ser adaptado a musical por Andrew Lloyd Webber (1981). El entretenimiento popular fue para Eliot una fuente de inspiración, lo que hace especialmente interesante examinar el proceso contrario: ver cómo su poesía ha inspirado otras artes y cómo esta adaptación ha interpretado o transferido el ritmo y sentido del humor de Practical Cats. Este artículo se centra en cómo el musical Cats de Lloyd Webber está en continuidad con las teorías de Eliot sobre drama, música y baile, especialmente influenciadas por el music hall.

Downloads

Download data is not yet available.

References

Badenhausen, Richard. “Drama.” T. S. Eliot in Context, edited by Jason Harding, Cambridge UP, 2012, pp. 125–33.

Bay-Cheng, Sarah. “‘Away we go’: Poetry and Play in Old Possum’s Book of Practical Cats and Andrew Lloyd Webber’s Cats.” A Companion to T. S. Eliot, edited by David E. Chinitz, Blackwell, 2014, pp. 228–38.

Chinitz, David E. T. S. Eliot and the Cultural Divide. U of Chicago P, 2005.

Douglass, Paul. “Eliot’s Cats: Serious Play Behind the Playful Seriousness.” Children’s Literature, vol. 11, no. 1, 1983, pp. 109–24.

Eliot, T. S. “The Beating of a Drum.” The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, edited by Anthony Cuda, and Ronald Schuchard, vol. 2, John Hopkins UP, 2014, pp. 471–75.

Eliot, T. S. The Complete Prose of T. S. Eliot: The Critical Edition, edited by Ronald Schuchard, John Hopkins UP, 2014. 8 Vols.

Eliot, T. S. “A Dialogue on Dramatic Poetry. With the Original Preface.” The Complete Prose of T. S. Eliot: The Critical Edition: Literature, Politics, Belief, 1927–1929, edited by Frances Dickey, Jennifer Formichelli, and Ronald Schuchard, vol. 3, John Hopkins UP, 2015, pp. 396–412.

Eliot, T. S. “The Duchess of Malfi at the Lyric: and Poetic Drama.” The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, edited by Anthony Cuda, and Ronald Schuchard, vol. 2, John Hopkins UP, 2014, pp. 170–75.

Eliot, T. S. “Marie Lloyd.” The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, edited by Anthony Cuda, and Ronald Schuchard, vol. 2, John Hopkins UP, 2014, pp. 418–23.

Eliot, T. S. “The Music of Poetry.” The Complete Prose of T. S. Eliot: The Critical Edition: The War Years, 1940–1946, edited by David E. Chinitz, and Ronald Schuchard, vol. 6, John Hopkins UP, 2017, pp. 310–25.

Eliot, T. S. Old Possum’s Book of Practical Cats. Faber & Faber, 2014.

Eliot, T. S. The Poems of T. S. Eliot: Vol. 1 of Collected and Uncollected Poems, edited by Christopher Ricks, and Jim McCue, Johns Hopkins UP, 2015.

Eliot, T. S. “Poetry and Drama.” The Complete Prose of T. S. Eliot: The Critical Edition: A European Society, 1947–1953, edited by Iman Javadi, and Ronald Schuchard, vol. 7, John Hopkins UP, 2018, pp. 589–610.

Eliot, T. S. “The Possibility of a Poetic Drama.” The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, edited by Anthony Cuda, and Ronald Schuchard, vol. 2, John Hopkins UP, 2014, pp. 278–85.

Eliot, T. S. “The Three Voices of Poetry.” The Complete Prose of T. S. Eliot: The Critical Edition: A European Society, 1947–1953, edited by Iman Javadi, and Ronald Schuchard, vol. 7, John Hopkins UP, 2018, pp. 817–34.

Eliot, T. S. “Tradition and the Individual Talent.” The Complete Prose of T. S. Eliot: The Critical Edition: The Perfect Critic, 1919–1926, edited by Anthony Cuda, and Ronald Schuchard, vol. 2, John Hopkins UP, 2014, pp. 105–14.

Everett, William A., and Paul R. Laird. The A to Z of the Broadway Musical. Lanham, Scarecrow Press, 2009.

Faulk, Barry J. “Eliot and the Music-Hall Comedian.” The Edinburgh Companion to T. S. Eliot and the Arts, edited by Frances Dickey, and John D. Morgenstern, Edinburgh UP, 2016, pp. 189–201.

Fuller, David. “Music.” T. S. Eliot in Context, edited by Jason Harding, Cambridge UP, 2012, pp. 134–44.

Jones, Susan. Literature, Modernism, and Dance. Oxford UP, 2013.

Jubin, Olaf. “Sung-Through Shows: When the Spoken Word is Shunned.” British Musical Theatre Since 1950, edited by Robert Gordon, Olaf Jubin, and Millie Taylor, Bloomsbury, 2016, pp. 157–59.

Keats, John. “To Richard Woodhouse.” 27 Oct. 1818. Bright Star: The Complete Poems and Selected Letters, Vintage Books, 2009, pp. 500–2.

Koritz, Amy. Gendering Bodies/Performing Art. U of Michigan P, 1995.

Langbaum, Robert Woodrow. The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition. Random House, 1957.

Lentricchia, Frank. Modernist Quartet. Cambridge UP, 1994.

Massine, Léonide. My Life in Ballet. Macmillan, 1968.

Mester, Terri. “Dance”. T. S. Eliot in Context, edited by Jason Harding, Cambridge UP, 2012, pp. 114–24.

Mullin, Katherine. “Sounds in The Waste Land: voices, rhythms, music.” British Library, 25 May 2016, www.bl.uk/20th-century-literature/articles/the-waste-land-voices-sound-and-music/.

“Mungojerrie and Rumpelteazer.” Genius, www.genius.com/Original-london-cast-of-cats-mungojerrie-and-rumpelteazer-lyrics/.

Richardson, Ben J. “‘A Conversation with Spectres’: Russian Ballet and the Politics of Voice in T. S. Eliot.” Journal of Modern Literature, vol. 37, no. 1, 2013, pp. 158–77, doi:10.2979/jmodelite.37.1.158.

Riedel, Michael. Razzle Dazzle: The Battle for Broadway. Simon & Schuster, 2016.

Rother, James. “Modernism and the Nonsense Style.” Contemporary Literature, vol. 15, no. 2, 1974, pp. 187–202, doi:10.2307/1207427.

Siropoulos, Vagelis. “Evita, the Society of the Spectacle and the Advent of the Megamusical.” Image & Narrative, vol. 11, no. 2, 2010, pp. 165–76, doi:10.1017/S0954586714000093.

Siropoulos, Vagelis. The Ideology and Aesthetics of Andrew Lloyd Webber’s Musicals: From the Broadway Musical to the British Megamusical. 2008. Aristotle University of Thessaloniki, PhD dissertation. IKEE. ikee.lib.auth.gr/record/110429/files/GRI-2009-2136.pdf/.

Smith, Carol H. T. S. Eliot’s Dramatic Theory and Practice: from Sweeney Agonistes to The Elder Statesman. Princeton UP, 1963.

Snelson, John. Andrew Lloyd Webber. Yale UP, 2009.

Sutherland, John. “An Introduction to Old Possum’s Book of Practical Cats.” British Library, 25 May 2016, www.bl.uk/20th-century-literature/articles/an-introduction-to-old-possums-book-of-practical-cats/.

Downloads

Published

18/10/2023

How to Cite

Díaz Morillo, E. “Of the Awefull Afterlife of Cats. From the Illustrated Book to the Stage”. ES Review. Spanish Journal of English Studies, no. 44, Oct. 2023, pp. 133-5, doi:10.24197/ersjes.44.2023.133-153.

Issue

Section

Articles